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The Goods Are Fresh in 'Little Shop' By T. H. McCULLOH In the case of Yorba Linda Civic Light Opera's production, Audrey II
has been provided by Eckmann Stage and Technical, which also supplied
the set. Some of Audrey's workings are a little too obvious (Edward Huber's
lighting insists on brightly revealing its innards), but its personality
is fresh and often funny as embodied in the voice of Charles Coffey and
in the realistic manipulative fancies of puppeteers Daniel Rust and Cherylrenee
Rendes. Based on the 1960 cult classic film by Roger Corman (in which the overacting
by a young Jack Nicholson is a hoot), "Little Shop" also provides
caricature roles for inventive actors and singers. Under Tim Klega's bouncy
direction, Rob Blaney's brisk musical guidance and with Joshua Eklund's
stereotypical 1950s choreography, this company stays within the bounds
of the material and even gives it a few shots in the arm. This isn't a show that requires any subtext from an actor, only originality
and musical-comedy pizazz. Both qualities blossom in the performances
of Tim Kashani as Seymour Krelbourn, the geek who found the ravenous plant
to begin with, and Gretchen Weiss as the plant's namesake, Audrey, who
works with Seymour in the Skid Row florist shop run by Mr. Mushnik. Kashani, by making Seymour a bit more intelligent than the hopeless guy
he usually is, and Weiss, by combining Marilyn Monroe with Betty Boop
and adding a sure comic touch, fill in enough of the gaps in the writing
to create characters that one can really care about. Their individual
vocal qualities, unique-sounding and sure, bring their numbers a new sheen,
particularly their powerful reading of their hesitant love duet, "Suddenly
Seymour." The supporting cast is pretty standard, but with the right bright edge
for this show. Mike Reynolds' Mushnik blusters and kvetches well; Alex Lepera's leather-jacketed
sadistic dentist sneers and Elvises in fine style, and the female trio
(Katy Jacoby, Lauri Archuleta, Katie Luekens)-which plays urchins, neighbors,
etc.-doo-wops campily, just like vocal groups used to. |
